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- REVIEWS CINEMA, Page 64Sleepwalking Into a Mess
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- By RICHARD CORLISS
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- TITLE: HUSBANDS AND WIVES
- WRITER AND DIRECTOR: Woody Allen
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- THE BOTTOM LINE: What is this thing called love? A man who
- knows has made a film better than real life -- his, anyway.
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- You expect to read a cool appraisal of Woody Allen's new
- film. The tawdry gossip attending Husbands and Wives -- the
- question of whether it contains clues to Allen's dumping Mia
- Farrow in favor of her 21-year-old adopted daughter, Soon-Yi
- Previn Farrow -- this is irrelevant, surely, to the noble trade
- of movie criticism. You want us to ponder weightier issues, like
- the piquant mise-en-scene in the oeuvre of a major auteur.
- Perhaps the entire review should be in French.
-
- Well, forget it. Dish comes first. Besides, there's no way
- that any reasonably tuned-in moviegoer can dismiss the
- subversive import of the dialogue between Allen, as an author
- who teaches a college writing course, and Farrow, as his wife,
- a magazine editor. She asks, "Are you ever attracted to other
- women?" He replies that his students "don't want an old man."
- He, who thinks his marriage might be saved by having children,
- admits, "I'm begging to have a baby that I don't even want." And
- when he falls for a wily coed (Juliette Lewis), he frets, "I
- feel myself becoming infatuated with a 20-year-old . . . I'm
- sleepwalking into a mess." At these moments the masks of fiction
- drop and seem to reveal two naked, anguished souls: the "real"
- Woody and Mia of late notoriety.
-
- The thing to realize now is that Allen wrote this movie
- long before he says he was involved with Soon-Yi. The thing
- that moviegoers will realize decades hence is that Husbands and
- Wives is a damn fine film. Here again he is X-raying the gnarled
- psyches of Manhattan's glamourati: Gabe and Judy and their best
- friends Jack (Sydney Pollack) and Sally (Judy Davis). Each is
- in some stage of a mid-love crisis; each married partner is
- given the chance to follow a flirtation to climax or
- catastrophe. Typically, Allen deals himself the highest cards.
- Gabe alone can resist temptation and take himself "out of the
- race. I don't want to hurt anybody or be hurt."
-
- The only ones sure to be hurt are those viewers who can't
- get used to the nosy, nausea-invoking camera style in the
- movie's fake documentary format. Take some Dramamine, folks.
- Then savor the desperate wit and the sharp acting -- especially
- that of Davis, who executes high comedy with the world's tensest
- mouth, and Farrow, doggedly searching for an Adam in a new Eden.
-
- So this is also a movie. But it is not only a movie. It
- has become the accidental equivalent of a trashy best seller
- that expects you to know who's who even if it can't name names.
- TriStar Pictures knows this; it is opening the film a week early
- and at 800 theaters instead of the handful typical for an Allen
- release. The media tattlers who have already revealed the
- movie's reel-vs.-real twists know it. Soon so will the 'plex
- patrons; they will make this Allen's first hit since the 1986
- Hannah and Her Sisters. Everyone seems to know it but Woody
- Allen.
-
- What has most vexed Allen's fans lately is the moral
- ignorance of an artist touted to find both passion and ambiguity
- in the characters he creates. Allen seems unaware even of the
- ironies, pathetic and comic, that would abound if he were to
- marry Soon-Yi and win custody of his kids: Soon-Yi would become
- the stepmother of her own siblings, and Mia would become Woody's
- mother-in-law. For most people, movies are simple and life is
- complex. For Allen, on recent evidence, it's the other way
- around.
-
- What a pity that Allen the sagacious filmmaker doesn't
- have the ear of Allen the screwed-up philanderer. Because, if
- you had a friend in his predicament -- someone blind to the
- moral morass he had sleepwalked into -- Husbands and Wives is
- the movie you'd want him to see. It would open his eyes.
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